Body done, half a sleeve done, an hour’s work away from finishing up the sweater. I thought I would use some of the golden sock yarn I bought last week to embroider a Cal Bears type pattern on it. But I finally realised that what I thought was just the curl of the fabric is, after all, some serious mis-shaping, and proportion gone wrong. The front is wider than the back by nearly an inch.

WTF? I followed the exact numbers in the pattern (.pdf) all the way through. I got gauge (5 spi). I thought it would be a quick, yet interesting twist on the Reliable Raglan. Instead, it’s weirdly baggy in parts. I peered closely at the sample in the pattern and the photos of the finished projects on Ravelry, and oddly enough some of them do seem a bit loose in the front, but none of the 109 people who made this have complained about the bagginess. So maybe it’s just me, and I knit the front more loosely than the back…. I don’t know. See how one edge peers out over the other:

I hate it when such simple things turn out to be more work than they ought. Am also wishing it wasn’t a seamless raglan, requiring me to frog everything back instead of just one piece. After toying with a pattern of my own, I chose this one because it would be mindless plane knitting during my trip to Vancouver. But in the end I think I’m madder because I chose it over the Vancouver Violet sock yarn I was itching to start working on.

But you know what the weirdest thing is? This yarn really makes my allergies go crazy. It’s bizarre. I wound up a new skein last night, and sneezed like it was a contest and I wanted to win the largest-number-in-a-minute race. Having knit with wool for 30+ years, I still cannot believe that I might be allergic to it in this sneezy rather than scratchy way. Other yarns I have worked with recently have also made me congested, but not like this one. I keep looking at it suspiciously as if it’s the evil cause of the horrid allergies ever since I brought it into the house, even though that can’t really be true, can it? It can’t be casting a spell on my sinuses from within its plastic packaging in my closet.

Honestly, I could finish the sweater, block the front a bit aggressively and be done with it – like the baby’s ever going to notice, right? – but somehow I can’t bring myself to do it. And if I, usually of the If-It’s-Not-Glaringly-Visible-It’s-Not-a-Mistake philosophy feel like that, that must mean something. It’s going into the closet for a while as I contemplate a different yarn and project for this baby. And maybe start something with the Vancouver Violet. Like these lovely Maeve socks.

Possibly the longest I have taken for a pair of socks without any cables or lace. Also a project that involved more frogging than most – as I complained, the mix of distraction and odd wording in the pattern made for lots of confusion, and then the more I tried to get things right, the more they went wrong. But, at any rate, here they are.

I like them a lot – they hug the feet very well, and the rib on the soles also gives a very pleasant, nubby feel on the soles. These are not socks to wear on a long hike, but on a short walk they feel very good. I had been a bit worried about that, but thankfully the ribbing is not annoying.

Project Notes:

Pattern: Arch-Shaped Socks, (.pdf link, free!) by Meangirl
Yarn: Koigu KPM Solid, in Rust/1110, dye lot 152, just under 2 skeins
Needles: Takumi bamboo, size 0 DPNs (I also broke 3 needles in the course of this project, so you can imagine how much it stressed me out!)

Modifications: The pattern as written calls for a stockinette arch, but I followed a few others and continued the k3, p2 rib throughout. This is why I needed to pay attention to the increases along the stem of the sole, making sure the m1s were m1k and m1p according to the pattern.

The main thing is keeping track of these decreases and increases. This is not something I should have so much difficulty with, really, but I knit the pair almost exclusively while watching back-to-back episodes of Jeremy Brett’s Sherlock Holmes episodes (Netflix Instant Watch zindabad!), and it was often a few rows before I realized I had forgotten one increase or decrease and had to frog back. Also, m1 on a purl is extremely fiddly when you have to twist the yarn picked up between two stitches, twist it and purl through the back loop.

But this arch shaping style does offer a lot of design possibilities. If I make them again, I would cast on fewer stitches, like my usual 60. I followed the given number – 65 – because I wasn’t sure if modifying the stitch count would mess with the pattern later on, and now I know it doesn’t. (Note to self: reading a pattern through before starting is not such a bad idea!) 65 made it a little loose on the cuff and ankles for me; it was only much later that my maths-challenged brain realised that I could have cast on 60 and still stuck with the ribbing pattern. It would have just reduced one multiple. Duh.

Ah well. Warm, well-fitting, comfy socks. Do I really care that the decreases at the top centre are not the tidiest? Trust me, I tried, many times, to get them to be neater, but somehow, they look a bit ragged. Again, that’s not the pattern fault, I should have planned ahead to make one of the k3 bands flow smoothly from cuff to toe in the very centre, and worked out a neater formula for the arch-ribbing to flow into the toe. By the time I got to the toes I was so done with the frogging that I did it a bit half-heartedly. Anyway. Next time!

This was possibly the best Holi celebration ever. Well, the one when my roommate and I drank just enough bhang to waft around campus in a gentle breeze and the food tasted a lot better and we sang a lot of songs and found everything very funny was pretty spectacular. But it was a long time ago, and this year I had no bhang. This year I splashed around in some unbelievably rich and deep colours, and I didn’t even have to wash them off myself. What’s more, instead of holding my head and wishing everyone wouldn’t talk so loudly, a day later my hangover from Stitches is still a happy glow.

It was a lovely crisp day, and I saw a lot of dyers, vendors and designers I haven’t seen before. Kauni, Jordana Paige, Cheryl Oberle… and many, many others. One of my favourites was Tess’s Designer Yarns, which was like the perfect Holi colour stall with colours spilling all over, except nothing got on your clothes (photo taken with the booth-owner’s explicit permission for posting on the blog):

Manduka, who just finished her first ever sweater to wear in time for the convention, got an amazing number of compliments for it, which is really the best thing about such gatherings. I spotted at least twenty February Lady Sweaters, including two identical ones worn by two friends. I met Fickle Knitter, which was great – after years of reading each other’s blogs, it’s no surprise we plunged right into chatting. A couple of people recognized me, and more importantly, my Ogee tunic from the blog, which was totally awesome.

The best part, though, was seeing Laura, friend and fibre artist extraordinaire, after many years. She is still making magic in many different colours, and I was happy to take some of her yarn off her hands! I bought “Sydney”, a DK merino in a pale green.

So what else did I get? Sock yarn, sock yarn, sock yarn. Socks that Rock in Vancouver Violet (for the Olympics!) and since I’m going up there next week for a conference, I thought this was most apt for the plane knitting. I also got two gorgeous shades, Denim and Terra Cotta, from Anzula Luxury Fibers who truly had an exceptional palette. The one with just a hint of sage, is Tess Yarns’ Super Sock.

Finally, my coveted Blackwater Abbey yarn! Funnily enough, Marilyn of Abbey yarns had read on my blog that I was looking forward to getting some at Stitches, and so she went out of her way to make sure that I got the yarn and colour I wanted. I got some of their new sport weight instead of the worsted, in a lovely blue-purple called Indigo. I cannot *wait* to get started on it. Thanks, Marilyn!

I stepped outside the box this time, and consciously avoided the warm reds, maroons, pinks and browns I usually reach for. My eye kept catching the cooler greens, blues and purples and I went for some paler shades – partly to try something new, and partly to try a lot of the lovely cabled patterns out there that look better in these shades. My Ravelry queue is bursting with projects, and my fingers are itching.

As we drove back and I headed to a Holi dinner party at a friend’s house, my head swirled with ideas and colour, and the full moon rose gracefully in the sky. Really, as I hummed aayaa holii kaa tyohaar jhuume rangoN kii byochhaar.. to myself at night (trying to put the image of Sandhya’s weird dancing out of my head!), I didn’t miss the bhang at all.

So yesterday, I ventured out on a wet and blustery afternoon to meet Huan-hua and Kristin for a small bloggers’ meet-up at Stash. I hadn’t seen Stash’s new digs (very nice!), and it was great fun to poke around with them in the store gossiping about Ravelry forums and discussing yarns and patterns. My eyes met a freshly-arrived batch of Madelinetosh sock yarn, and I fell in love, abandoning my plans to wait until Stitches to splurge. Some hot yarn pr0n to take the edge of the wet chill:

It is called ‘Nutmeg,’ but to me it is the colour of vasant (spring), of marigolds and mustard flowers in full bloom, of the vasant panchami festival. Our JNU campus in Delhi used to be awash in this colour on this day, when the Bengalis (the campus was awash in them all year long!) celebrated Saraswati pujo by wearing mustard-shaded sarees and kurtas. It was a sudden visual shift from the foggy colourlessness of December-January, and a prelude to the magenta explosion of bougainvillea amidst the rocky terrain in March.

There were so many unbelievably gorgeous Tosh shades – little flickers of deep purple in grey-black, midnight blues and deep sea greens and bright fiery reds and pale, grassy sage – I could drown in those colours for hours. But you probably remember that I love mustard-yellow, and just last week, a friend and I had been thinking about this colour as we bitched and moaned about the grey weather. So I snatched up a skein to make a pair of simple stockinette socks, to wrap the spring around my feet and celebrate Saraswati pujo (already past this year) in my own way.

As if it heard me calling out to it, the sun came out briefly as I was photographing the skein near my window, and glinted on this golden ball. As the strands slide off the cake it really is like liquid sunlight and dry hay and a fresh mustard blossom all rolled into one. I cannot stop looking at it.

More yarn pr0n to come after this weekend!

In the same spirit, ahead of Stitches West, to be held right here in the bay area (Santa Clara Convention Center) next weekend, I decided to take stock of my stash, and see what I already have, before salivating about the ones I will see in the booths. I wound up loose skeins, added up the yardage for each yarn in my Ravelry stash page, arranged it into separate bags, and collected all the swatches lying around, to turn into an ugly patchwork blanket someday. I feel most accomplished.

So, this is what I have:

There’s that drawer, and this one:

And that’s all. Not bad, huh? It’s less than I had imagined, and more orderly too. I have:

1. 3 skeins of Cascade 220 in charcoal (a cabled vest for my dad?).

2. 11 skeins of navy Berroco Inca Gold (intended for the Turbulence Pullover, but that project didn’t even take off, alas.)

3. 8 skeins, some half worked, some fresh, of a bright orange Creskeld Guernsey 5 ply, which I am hoping will work out for a suitably modified Caftan pullover (check out this gorgeous, albeit heavily modified one!)

4. 3 enormous skeins of the Brooks Farm Mas Acero (plans for a sweater are swirling in my head right now – stay tuned!)

5. 7 skeins of Elann Esprit which are going to be rapidly converted into baby things for two new babies that just arrived in the neighbourhood.

6. A scarf’s worth of an old, old Rowan yarn called Edina Ronay Wool Silk. that I have set aside to try a variation of Frost Flowers & Leaves, but which I never actually get around to designing.

7. 3 laceweight yarns for several lace shawls – Textiles a Mano Lanita, Brown Sheep Naturespun Fingering (the magenta cone), and Jaggerspun Superfine Merino in Black (also on cone).

8. 1 skein of Trekking Pro Natura sockweight, nearly 1 skein of Regia, and some sock leftovers.

9. 2 skeins of llama-wool DK weight which sheds like the devil, but which is very soft.

10. 8 skeins of Elann Pure Alpaca, maybe a thickish lace shawl for an aunt-in-law who gave me a suitcaseful of yarn many years ago, including the Rowan and the Creskeld listed above.

I have enough for 3 pullovers, 1 vest, several shawls, plenty of baby stuff, and a couple pairs of socks. So what should I be getting at Stitches, and what should I be definitely avoiding?

I am going to stay away from the lace, that’s for sure. Quite apart from the fact that my red sampler shawl is languishing without a border (I left the Victorian Lace Today book in India, if someone would kindly photograph or scan the instructions and motif for the border and email it to me I will be most grateful), I have enough to cover myself in shawls. So, no lace.

I really should say no sweater yarn either, because three + a vest is quite enough for now. But I have this desperate desire to knit another Ribby Cardi, one of my favourite patterns, in a hardy, rough-wearing yarn like Blackwater Abbey. And they don’t sell online or in shops, so it seems like a shame to pass up the opportunity when they’ll be right there with all their gorgeous shades. I got a shade card last time, and I have already spent countless hours matching different shades for the pattern.

What I am going to get, I think, is some sock yarn – some gorgeous hand-dyed stuff. I did finish the red Koigu socks I was bitching about last time, but more about them later. Yes, sock yarn, mmmmmm.

Anybody going to be at Stitches West? Please holler in the comments if you are – I will be there on Saturday afternoon, and wearing my Ravelry Desiknitter badge. I’d love to meet up!

So I knit the first sock up to where the interesting arch shaping begins, and like Slippedstitch’s version linked above, decided to continue the ribbed pattern on to the arch and foot. The arch shaping takes place along the two lines of the triangle (with its tip facing towards the toes). So you decrease as usual for the gusset (right line), but also do paired increases at the centre line of the sole that are matched by decreases alongside the left line of the triangle.

I was chugging along nicely, except I realised that I had far too many stitches midway down the foot. So I started the second sock, hoping to pay closer attention this time and then figuring out what went wrong with the first, when I find that I keep getting left with more stitches than I need. The triangle lines meet too soon, making me wonder where to continue the gusset decreases that still remain, and which the pattern asks you to complete. Although the pattern is a bit oddly worded in parts and confused me with a lot of extra instructions for magic loop (I’m using DPNs), nobody in blogland or Ravelry has pointed out any major problems. I find I’m frogging, frogging, frogging, making even more silly mistakes, and very little progress. The pair currently lies in disgrace, reminding me of a couple of bloody, decapitated fish.

Which brings me to the whole Koigu rant. I still love the colour and feel, but this yarn is such a bitch to place back onto the needles, especially when you’re already knitting firmly with size 0s!! It splits every other stitch, and makes a ghastly sound when it does so. (Yes, the splitting is actually audible!) It also doesn’t stay put, so you always have to pick up stitches that have slid down a few rows. But last night, this really made me mad:

A knot! There is one in each skein. And they came apart with very little tugging!! They also appeared when I was doing the foot, which means whether I spit spliced or carried over the fresh yarn a few stitches, I’d have a bump on each sole, reminding me of its existence every time I walked. I did the best I could, but honestly, with that price, quality and following, you’d think the least Koigu could do was avoid knots in its skeins. (Yes, I know, my fucking up the pattern has nothing to do with the yarn, but hey, while I’m mad I might as well vent all around.)

I am tempted to frog the whole thing and start over with another pattern for now, but I keep thinking that I should just frog back to the heel, take a deep breath, get over the putting-stitches-back-on nightmare, and finish the damn pair. I should, shouldn’t I?

But first, I think I’m going to cheer myself up with some brunch.

I am posting the pattern here instead of as a downloadable .pdf, because I’d like some feedback first about steps I’ve missed or errors. If someone (Manisha?!) would test-knit it and let me know if the instructions make sense, that would be even better!

STRIPEY SIDEWAYS HAT

Level of difficulty: Advanced beginner/intermediate. Should know how to cast on provisionally, do kitchener stitch (grafting) or a three-needle bind off, and pick up and knit in the round with circular and double-pointed needles. All you need, really, are the excellent videos at KnittingHelp.com, which demonstrate all these techniques very clearly.

Yarn: Worsted weight (I used Karabella Aurora 8, 98 yards/50 gms), 1 skein each in two colours – one main colour (MC), and one contrasting colour (CC).

Needles: 1 size 6 16 inch circular needle, 1 set of double pointed needles in size 6, 1 tapestry needle.

Gauge: 5 spi in stockinette stitch, 4.5 spi in garter stitch.

Size: Women’s regular, approx 21-22 inches in circumference. (The garter ridges in the central band stretch a bit, so you can adjust its length depending on how loose-fitting or tight you want the hat to be, to fit a man or a child.

Central band: (knit back and forth)

1. Using the ‘provisional’ method, cast on 20 stitches with the MC yarn.
2. Knit two rows – one garter ridge created.
3. Switch to CC yarn, knit two rows – one garter ridge created.
4. Continue in this way, alternating one garter ridge in MC and CC, until the band measures 21 inches. End with a garter ridge in CC. We shall call the needle with these stitches Needle # 1.
5. Undo the crochet chain at the provisional cast on, and pick up the live stitches on to the second needle (Needle # 2) (Cotton yarn is great for this crochet cast on, it prevents the fibres from the live stitches from snagging on to the chains.)
6. At this point, Needle # 1 has 20 st in CC; Needle # 2 has 20 st in MC.
7. Holding both needles together, Needle # 2 in front and RS on the outside, facing you, graft the edges together.

NOTE: If you don’t like grafting, you can always do a three-needle bind off. Remember to do the bind off with the WS of the band facing outside!

Shape crown: (knit in the round)

1. Using MC and the RS facing you, pick up and knit 120 stitches along the right edge of the band with a circular needle. Knit 1 round.
2. *K10, k2tog, repeat * all around for a total of 10 times.
3. Knit 1 round even.
4. *K 9, k2tog, repeat * all around.
5. Knit 1 round even.
6. *K 8, k2tog, repeat * all around.
7. Knit 1 round even.
8. In this fashion, continue decreasing every other round (k7, k 6, k 5, etc) until you have knit k1, k2tog. Switch to double-pointed needles as the stitches get fewer and fewer for the circular needles.
9. Knit 1 round even. (20 stitches on needle.)
10. K2tog all around (10 stitches on needle.)
11. Cut yarn, leaving a 4 inch tail, and threading it through a tapestry needle, draw yarn through remaining live stitches a few times, and pull tight.

Shape cuff (in the round):

1. Using MC and the RS facing you, pick up and knit 120 stitches along the left edge of the band with a circular needle.
2. K2, p2 all around.
3. Repeat step 2 for ten rounds, or for as long as you would like the cuff of the hat to be.
4. Bind off all stitches knitwise, to ensure a firm edge.
5. Weave in all ends. Wear hat, enjoy!

Mainstream Marathi cinema, it would appear, is experiencing a bit of a revival after decades of extremely mediocre popular comedy/family sagas, and marginal arthouse themes. This film is about the lives and struggles of tamaashaa artistes – a popular dance/theatre form of some vintage in Maharashtra, and is garnering great critical and popular reviews. I haven’t seen it, but I badly want to!

The tamashaa’s main musical ingredient, the laavaNii, is frequently invoked as maraaThmoLaa, the very essence of popular Marathi culture. The comments on the youtube page for this song totally get the dancing wrong – the choreography and dancing are actually very true to the tamaashaa form. The moves are not always smooth and seamless; the neck and shoulder movements, and especially the rapid jerks of the torso, are all classic actions. Although the influence of classical Kathak footwork and turns is clearly visible, the distinctiveness of this dance, it seems to me, is in these jerks, the feet apart from each other, the rough edges. The main difference from laavaNiis I have seen in earlier films, is that the dancers seem a lot thinner than they used to be. I think they haven’t ‘bollywood-ised’ the dancing here, even the music and look is also unmistakably more modern. Here is another dance from the same film which is also very stylised, but does a great job of following these basic laavaNii moves.

I love the sound of the laavaNii – just the familiar opening dholki rhythms, the ting-ting-ting of the strings, and the footwork is very stirring. The language is bawdy, colourful and deliciously alliterative, with quick back-and-forths between the dancer and her companions, with a high-pitched chorus that backs up her pleas or complaints. Of course, the filmi ones are not always the real thing, but they are still very good.

Here is a classic filmi one, bugaDii maajhii saanDlii ga (I’ve lost my ‘earring’ during that tryst to Satara). I used to sing this song often, way back in school and family musical gatherings. It features the gorgeous Jayashree Gadkar, doyenne of Marathi films of the ’60s-’70s. Sung by Asha Bhosale in the original, it was still pretty melodious, even too melodious for the form, perhaps, but I like it a lot.

One of the last ‘tamasha’-themed films I remember seeing was Pinjara, which I really didn’t care for, but whose soundtrack became wildly popular. It starred Sandhya, a terribly hammy actor who is not known as the most graceful of dancers. Sandhya usually did all her dances like an exaggerated laavaNii, especially the jerky peacock-like neck movements. Even in this one, below, she is over the top. But despite the exaggeration, the song and dance are vintage, raucous laavaNii, and part of film lore – aaho daajibaa gaavaat hoil shobaa he vagana bara nava (Really, Sir! Do behave, what will the villagers say!). I love the opening sequence, where the lines musically mock the pretensions to respectability of village folk, who are worried about what the arrival of this attractive dancer will do to local morals.

Performed by a female lead dancer with (both male and female) accompanists and (male) interlocutors on stage, mainly to a male audience, the laavaNii’s themes are usually explicitly erotic. These songs featured regularly in most ‘rural’ themed Marathi movies from the ’60s, which featured beautiful dancers, well-meaning farmers, anxieties of respectability, ill-fated romances, and evil, mustachioed and turbaned headmen. The kinds of gender roles and stereotypes the form has underwritten or transgressed, its role in shaping a lower-caste, popular culture, and most importantly, the problematic ways in which films have incorporated this popular theatre, have seen some fine historical and feminist analysis in recent times, which I don’t want to reprise here. This post is mainly to share this recent obsession and some old favourites, especially with Mary, if she’s reading this.

I narrowly missed seeing Natarang when I was in Pune last month. I wish I was at Prabhat Talkies right now, watching it with all the noise and whistles around me instead of a few snatches on youtube.

Previously: Moves.

(UPDATE: detailed pattern here.

As I mentioned, I hazarded the pattern from a handknit hat a student showed me (she said she bought it in Edinburgh), and it turned out to be very simple. Photo-steps of the process:

I cast on 20 stitches with a provisional cast on (aside: cotton yarn is *perfect* for the crochet chains, the chains come undone beautifully without any fibres getting tangled in the stitches):

I knit in alternate garter ridges for about 21 inches (wrapped around my head several times to check fit):

I grafted the two ends together, with right side facing (the resultant seam is not a garter ridge, but looks ok):

I picked up 120 stitches along one end, and decreased every other row till I had 10 stitches left. (k10, k2tog, repeat all around; then, k9, k2tog all around the following time; then k8, k2tog all around, and so on):

At the other end I also picked up 120 stitches and knit k2,p2 ribbing for 5 rows, and then bound off all stitches knitwise, to give the edge some firmness:

Initially I was a bit worried that the electric blue would be too bright, but I don’t think so now. I absolutely love the stripes and the hat is very comfy and warm. I like this fit, where the sideways garter ridges give it some flexibility, and the tent-like, boxy shape also prevents it from being too tight at the top and flattening my hair.

Tech Specs:
Needles: size 6 16″ circulars, and DPNS
Yarn: Karabella Aurora 8 in black, and one unidentified worsted weight blue, both from stash, both less than 200 yards each. Manduka, if you’re reading this, do you remember what yarn this is? You had given me the skein long ago.
Gauge: Didn’t bother, really, but it is in the neighbourhood of 5 spi.
Size: The hat is about 7.5 ” deep.

Anybody know of a published pattern like this one? I don’t want to write it up as a detailed free pattern if there exists one just like this, even if I “unvented” the pattern by eyeballing a hat in the wild, so to speak.

No, I did not finish these while watching the Australian Open. I haven’t watched a game of tennis since Ivan Lendl stopped playing. (I know. Even I am embarrassed about him now, but I used to weep horribly every time he lost at Wimbledon!) I mostly watched Law & Order SVU reruns on my fragile TV reception, and Murder, She Wrote reruns on Netflix Instant Watch. After every episode I feel my eyes widen and stay like that, my head bobbing eagerly like Angela Lansbury’s, all cheeks and no chin. She wears handknits quite often on the show (’80s arans, mostly) but I haven’t ever seen her knitting, have you? She’s quite the active, running older woman on the show, and I wonder if they consciously stayed away from any knitting to avoid the granny image.

ANYWAY, one pair down, two to go.
Austermann Step socks, colourway no. 8. Pink and grey is a beautiful combination!
Toe-up with a crochet chain cast on and wrapped stitches, which I first learnt from Wendy’s tutorial here.
60 stitches for the foot, and 64 from the ankle up, size 0 bamboos.
A Russian bind-off. The way I learnt this (somewhere on the web) is to p2tog loosely, slip stitch back to left needle, p2tog, repeat all the way, preferably with a larger needle. But here is a video for a completely different Russian bind off , which is most intriguing, and which I look forward to trying.

I took care to make the stripes line up. All seemed well, until the very end of the second sock, when a couple of straight white lines threatened to derail everything. The cuffs were going to be all wrong.

I was whining about this to a (non-knitting) friend who couldn’t understand the fuss, and said, well isn’t that what handicrafts are supposed to be, slightly off? I muttered in my head about how I wasn’t sure who or what was off here, and after a deep sigh, frogged the second cuff, cut off some yarn and reknit it to get the two cuffs to match up. The Harlot is right, as usual; only a sock dork can understand the joy of the stripes matching up. I am not usually very obsessive-compulsive about these things, but I am, I find, a sock dork. The cuffs match, and I am pleased.

This yarn is good! A little fibery, but soft, and very warm. Cosy on my feet on a chilly saturday afternoon. I am itching to knit up the other two sock pairs, but I’m also dying to try out that sideways hat my grad student was wearing. Maybe head before feet next, then.